This anima#*t^e\,?
d feature fi lm i.,nc[or ^porates )* m\ usi#]_c, theater an_\: d
#  :(sculp?)ture techniques while followi=$ng one w$)o*) `man's j`+ou) rn]ey %($ through/%\ h(er m
_arriages, both (ima@$=gined and r[/eal. Her exper_])iences t.rans+f?orm her fr @ o@m %`=a fiery? yo-.u$ng gi.* =rl craving love to :#\a do;m*es/.!tic-_( abus`_e victim `an%d^ eventual/ly lead _to he+r disc(overy of :
gender-/ fluidity, self-ac ce`+pt+=[!an`ce, and finding a better p# lac- $e in so*ciety. The singing %Myth@+ology ?S=irens and her ow+[$n B*(iology are characters that]/ influence her, showing +[how our r;elati.(onship roles are shape.d by both? th/,e ste reotype)s o,f o@\)ur cul\t::ures\: and the[ neurosc(+ience of our  +own bodi=e
^:@s.[ Written b!y Signe Baumane