Post-n!!uclear-war d*ramas centering on$ a/ ^ smal(;l group-= of survi!+vo_,rs now.+ constitute an:,_ entire genre i- n science-fiction films. All of th- em, in($! *some way o+@r ano=\the?r, can be traced
*.( b^ -(ack to th\ ==is semin$)]al film  (from^=) 1951] _(.in which -^five people deal wit)$h th()e possibilit +y @=%th_)ey are the only:!; human be(ings l)#(ef)t al(ive on th^^e planet.　`?　Whil$e mo!=^st of the later mo %vies explo@ited this possibility#  for B-movie(.*+ thrills, Fi.)-ve( adop/-t.
s a quiet, conte-\\mplative tone which some ma:y fin :@d dull b^ ]ut /[which thoughtful^
viewers a\_\= re . m,ore likely to find, f.$or )w /(ant=! o

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f a^ better wor##d, haun[` ting.` T%here (`i[s somet)h(ing^%! about t,;his movie;_ which gets unde?
r * the skin a.`. n$+ d which-# lu .[!r.]k*s ?in th@@e c)*#;orn%,=_ers of th
e $:mind long , ,after $=@_it['s over.